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Giving back by being grateful and productive

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There are many reactions we get about the COVID-19 pandemic. Different people belonging to different professions, ways of life and living have reacted to it in many different ways.

There are those who just don’t care about the perceived dangers of the coronavirus; those whose only passion for the moment is to go home to their provinces (as there is no place like home); those who have become mortally afraid of the situation outside their homes; those who show off their positive side by thinking about their future and have been motivated; and those among us who take advantage of “this bad situation” and have opened new opportunities for themselves.

Most commendable are those people whose lives have turned out better and have opened new businesses at this time.

One wonders…so many billions of pesos have been distributed to people as ameliorations.

Never at any given point of time in Philippine history has such distribution of cash been made possible to those in need.

This short-term solution has helped a big number of Filipinos, especially for those who had lost their jobs.

All of a sudden, there is awareness of the importance of any productive role people may play in this society. Everyone is important in this world.

With all the cash that had been distributed and as cash is spent on food and other basic needs, where does that all lead to? Which sector(s) of businesses and society are the recipients of all those money?

Which commerce or industry will benefit naturally from the taong masa’s expenses with the money given to them? In other words, whose pockets will these pesos eventually end up in?

We are happy for those who may make huge profits at this time; we only pray that they willingly and wholeheartedly pay proper taxes for their new revenues to somehow ‘return’ a portion of their profits to the original sender — the government.

For those who could afford to take their photos showing off the delicious food they had been consuming during ‘hard times’, it would be nice if they share their ‘blessings’.

After all, the word F-O-O-D is synonymous with the word S-H-A-R-E.

There are those who express so much fear about the health crisis. Have no fear! Simply keep your bodies antiseptically clean and sanitized; keep away from anyone who carries the disease with them; be aware of your environment and your surroundings; and behave as the government suggests.

For those who had been recipients of help and ameliorations given by government and from donations by private individuals: be G-R-A-T-E-F-U-L.

The greatest show of one’s appreciation for all the help one received during this war is to decide once and for all to be productive. Play your roles in the system of living.

Shed off your bad habits.

Understand your purpose for living since survival was most important in your mind.

Remember always the times when you had nothing to eat, how people were led to begging in the streets, and how people complained (even on television) because they stayed in line for hours on end to receive a few cans of food, bath soaps, and several kilos of rice.

It is said that Filipinos have short memories. But this time, I hope not too short.

As together we grieve with those who have lost their loved ones, are afflicted by the virus but still giving life a good chance to survive, and have had the opportunity to show the better versions of themselves and shine, this pandemic will one day dome to an end.

We only pray that this happens very soon.

Art and the artist in the new normal

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On the topic of Art in the Philippines, I admit that I had been skeptic about the so-called “new normalcy.” So I talked to an artist, a gallery owner, and a corporate events manager whose positive views regarding the matter is so enlightening and encouraging.

Here is what they have to say:

Anton Magpantay, CPA, FRIEMgt

Anton is a fellow of events management of the Royal Institution Singapore. He manages corporate events focusing on the arts, environment, and other socially relevant issues.

Currently, he is taking his Masters in Science in International Events Management at the University of Salford and Robert Kennedy College.

Anton says, “The Arts will continue to flourish, and artists will be as prolific as ever.

“COVID – 19 has given artists enough time to focus on their artistry, hone their skills, and try new things. The results are inspiring original artworks coming from different perspectives, which are drawn from the artists’ experiences during the lockdown.

“Artists need support to jumpstart an online art revolution.

“In the new normal, the absence of art exhibitions in galleries and public places, the online world is the only platform left. Here artists can showcase their craft and conduct business with their target audiences. Therefore, institutions like the government and private sector should act cohesively in providing online marketing and selling opportunities for the artists”.

Abe Orobia, artist and art teacher

“After this long quarantine, I would like to enjoy nature again. I miss going to provinces and travelling abroad. Learning people’s culture and expanding my knowledge. From these travels I get my inspiration.

“Artists we are used to staying in our studios; but also need a breather. Nature and learning rejuvenates me. It expands my perspective in different ways that is beneficial in my art style which is symbolism.

The trend now is to create virtual exhibitions which I have participated in and will be participating in the coming months.

“In this troubled times, the role of the artist is to influence the general public through our art because Art can heal and touch people lives more than ever.

“This is not just limited to appreciating our pieces but indulging or encouraging people to create artworks of their own. Thus I post art tutorial videos on my social media accounts. I believe that when more people become more creative, they will most likely survive this pandemic.

“Art may be “discovered.” Instead of people going out unnecessarily a new found skill of creative pursuits through Art can help them grow in spirit.

“Art has saved me time and time again, and this fact is what I want to share with everyone! “

Bambi Antonio de Castro, the ARTOLOGIST Gallery

“Our world of many industries is undergoing radical shifts in order to find ways to adapt to the new normal. Thus, The Artologist Gallery must adapt to this degree of changes. As we recognize new opportunities, we now are modifying our art business.

“Expanding and improving our online presence is our top priority. Expect to see more virtual reality art exhibitions from The Artologist Gallery as we see fundamental changes taking into effect.

“Enrolling online for art classes or “Have an Art Party” will keep adults and their children busy at home.

“We can ship all your art material needs direct to your home. Classes start on July 7.

“Our galleries In Shangri-La Plaza and Ayala Malls Manila Bay are now open to the public.

“Be rest assured that out daily sanitation standards, will ensure your safety as our staff are equipped with PPE’s, masks, face shields, vitamins, and antibacterial liquids”, says Bambi de Castro.

I now conclude that there is more than hope for Art in the Philippines!

I only pray for it to flourish to greater heights.

Respecting individuality

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Alvin Paraguison, Elli Frolunga Firmalino Jr., JC Crescini, Jim Caarl Echas, John Claudee Sicam,, John Perry Pellejera, Jojo Ramirez, Jun Cambel, Kenneth John Montegrande, Kennth Santiago, Lei Manto, Louella Nofuente, Mark Rene Nativo, Mating Namo, Nelson Ricahuerta, and Nissa Tayle are all part of a group whose works of art are now on display from February 29 to March 9 at the Ayala Malls Manila Bay on Diosdado Macapagal Ave. corner Aseana Ave., in Paranaque City.

The exhibit of this group of artists is entitled “Individuality” and it is organized by The Artologist Gallery.

According to this art show’s theme: “There is so much intolerance in today’s world. At no other time has the world been more interconnected than now, but at the same time, we have become so divided: by race, religion, political systems, as well as in the art industry relations among others.

“Everywhere you look, you see so much hatred, suspicion, envy, arrogance. All this has resulted in chaos. We should have more RESPECT for one another. We should accept our differences, and try to live in harmony.

“We can no longer afford to think only of ourselves because our fate – our very survival — is dependent on others. What our parents taught us when we were little kids, RESPECT for each other, is what we now need the most.

“The key to RESPECT is recognizing each other’s INDIVIDUALITY.

“We are all different: individually, culturally, nationally, artistically, and regionally. We can never be the same, but we can live together if we accept our differences, our INDIVIDUALITY. Each of us has a role to play in making this a better world.

“As artists, we want to proclaim and celebrate our own INDIVIDUALITY. Each of us is a unique individual.

“And this is what makes this world so varied and so beautiful.

“We should let our INDIVIDUALITY blossom in perfect harmony with no prejudice.”

Let us view how each artist expresses his thoughts through his work…..let us enjoy the show/exhibit as it had been curated and pulled together to create these artists’ individuality.

Enjoy your weekend!

Heading for a bright new chapter

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MARCO ALFRED MOYA BENITEZ - PWU’s new president

The number seven (7) may indeed be a lucky number especially in the case of the Philippine Women’s University which, in 1919, was founded by seven Filipino women: Clara Aragon, Mercedes Rivera, Francisca Tirona Benitez, Paz Marquez Benitez, Carolina Ocampo Palma, and Socorro Marquez Zabellero.

PWU is a non-stock, not for profit, non-sectarian private institution known for the diversity of its student population. It originally educated only women but since the 60’s has included men who now number a quarter of PWU’s student population.

Last year, the university marked its 100th anniversary in a year-long celebration which ends this year (2020) as the Philippine Women’s University s-t-a-r-t-s its path towards its next one hundred years.

A new PWU president was installed last weekend at the historical Manila Hotel. Marco Alfredo Moya Benitez is today’s PWU’s 10th president.

Young, disciplined, energetic, and “with the times,” the university’s new president Mr. Benitez earned his Bachelor of Science in Management Engineering at the Ateneo De Manila University, and his Masters in Business Administration at the Ateneo Graduate School for Business.

His passion for team sports — he was Team Manager for the Ateneo HS Basketball Team for several years and still coaches for the Alaska Summer Powercamp — is a reflection of his strong collaborative work ethic and commitment to the holistic development of the youth.

Mr. Benitez also currently serves as president of the Unlad Resources Development Corp.

With the many changes in today’s environment, PWU faces the challenges of a new century. With its rich heritage that is revitalized by dynamic leadership its future indeed looks brilliant.

A message from the chairperson of the PWU Board of Trustees states: “Our university looks forward to the beginning of a new chapter in its history — one that is heralded with so much enthusiasm by the goodwill of the celebration of our past.

“This new chapter is made even brighter by the installation of our new president, Mr. Marco Alfredo Benitez. We welcome President Benitez and his unswerving commitment to the mission of the University and the holistic development of its students.

“With solidarity, let us celebrate a new chapter in PWU’s glorious history”.

Congratulations to PWU’s new leadership; and Kudos to the seven women who “gave birth” to what PWU is today.

APPAS launches logo design competition

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Ms. Rosario C. Tala is the chief culture and arts officer of the venue operations division of the Cultural Center of the Philippines’ production and exhibition department.

According to Ms. Tala: “The Association of the Philippine Performing Arts Spaces (APPAS) is an association of performing arts spaces in the Philippines informally established twelve years ago in February 2018 as the Philippine Performing Arts Centers Consortium (PhilPACC). This was spearheaded by the Cultural Center of the Philippines.

“APPAS envisions a diverse arts infrastructure ecosystem that engenders the best environment to create and experience the performing arts. Its mission is to contribute to the enhancement of the Filipino artists-audience encounter through the revitalization and synergy of performing arts spaces.

“The association also aims to pursue efficient, effective and responsive management of performing arts spaces and curatorship of content and programming.

“An organization in its formative years, APPAS is still a work in progress finding its path towards a stable and legal identity; thus the launch of a Logo Design-making competition.

“The contest is open to all graphic artists/designers. CCP employees and their relatives up to the 3rd degree of affinity or consanguinity are disqualified from joining the competition.

“Each contestant must submit only ONE entry.

“Submitted entry must be a single work of original design created solely by the contestant for this competition

“The design must not infringe on the copyrights, trademarks, intellectual property rights of any person or entity, and that no other party has any right, title, claim or interest in the logo, graphic or any portion thereof.

“Entries should be in digitized format (at least 300 dpi in Adobe portable document format (pdf). The raw file of the digital artwork should be drawn and illustrated in A4 size using Adobe Photoshop and/or Illustrator”.

Here are more information regarding the submission of files in the following formats: Flat pdf format, minimum size 12cm x 12cm, minimum resolution 300 dpi (revised from: Flat jpeg format, minimum 300 pixels).

The filename is your name and artwork title. Example: juandelacruz_logo-color.pdf, juandelacruz_logo-bnw.pdf, juandelacruz_banner.pdf, etc.

This should include a logo design description of not more than 500 words.

By submitting their entry, contestants agree to release, discharge and hold harmless the APPAS and its officers, members and staff from any claims, losses and damages arising out of their participation in this contest.

APPAS has the right to verify the validity and originality of any entry, and reserves the right to disqualify any contestant who submits entry that is not in accordance with the entry rules and regulations.

Only one (1) winner will be announced on March 13, 2020 at the official FB account of APPAS.

The winning design may be subject to revisions based on discussions with and inputs from the APPAS board of directors and management before it is finalized

A prize of P25,000.00, donated by the Friends for Cultural Affairs of the Philippines (FCCP) awaits the winner.

Ms. Tala further states that the deadline for the submission of entries is on February 28, 2019, 5:00pm.

Send your entries through email at philpacc@gmail.com or submit them at the CCP Booking Office, 2nd Floor, Cultural Center of the Philippines, CCP Complex, Roxas Blvd., Pasay City and look for Ms. Vicky Lago.

For more information, please contact Ms. Vicky Lago, APPAS Secretariat at mvnlago@gmail.com or philpacc@gmail.com, or call at 8832 1125 loc 1404.

Oh my gosh…..that’s only a week from today…..so hurry up with your fine ideas and submit an entry !

Work on it this weekend and have fun by doing so !!!

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The Friends for Cultural Concerns of the Philippines is organizing a fashion show on Monday, February 24,2020 at 6 pm. At the Shangri-la Hotel in Makati.

Entitled : “Philippine Couture,” the show features of works of six exciting “youngish” fashion designers.

“Philippine Couture”, the fashion show, is a brainchild of FCCP president, Mimi Valerio with member Nelia Sarcol as chairperson.

See you there!

Galicano turns 75; Bartolome exhibits Ang Bayan

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The Portrait Artists Society of the Philippines (PASPI), Manila marked its first anniversary last month. After Romulo Galicano initiated and nurtured PASPI Cebu 10 year ago, 2019 saw the birth of Paspi Manila.

PASPI Manila, like its Cebu counterpart, is a non- profit, non — stock organization of professional and aspiring young artists whose primary aim is to promote and propagate the art of portraiture and figurative art in the Philippines.

PASPI seeks to create more awareness and appreciation of classical realism through art education and regular practice. It seeks to educate young artists in the knowledge of the arts and hone their techniques through lectures and art demonstrations and workshops.
Its founding members are: Dante Silverio, Maridi Nivera, Lita Wells and Romeo Ballada.

PASPI’s officers as of today are: Cee Cadid, president; Diana Alferez, secretaty; Joem San Claria, assistant secretary; Lita Wells, treasurer; and Maridi Nivera, assistant treasurer.

Through the generous sponsorship of Ms. Judy Araneta and Mr. George Araneta, PASPI regularly meets every Wednesday at the Gateway Gallery at the Araneta Center.

Wednesday, February 5, last week, Romulo Galicano, PASPI’s founder celebrated his 75th birthday at Hot Off The Press, a restaurant in Quezon City. Natrurally, all PASPI members from Cebu and Manila were all present in their black uniform .

As I entered the restaurant (surprisingly arriving sans the regular expected traffic ), I saw a sea of distinguished senior artists all in black. This made me feel out of place as I specially wore a red shirt thinking that it would be the appropriate color to wear for Mr. Galicano’s birthday bash. I was wrong!

It was a relief when I saw a few other guests like Ormoc Congresswoman Lucy Torres and Raffy Benitez of Erewhon Publishing who both wore white. Of course, there were those others who wore colored clothes; and they were Galicano’s family members and a sprinkling of other well wishers who were no members of PASPI.

Thanks to Maridi Nivera who acted as master of ceremonies that evening, guests who wore non-black tops felt “at home”.

Maridi Nivera prepared trivia questions about Galicano’s life — from his childhood in Carcar, Cebu, to his many adventures as a young artist in Manila. If one was able to answer Ms. Nivera’s questions, they received a package of cookies.

Adding even more excitement to the occasion, renowned sculptor Fred Baldemor donated two sculptures as a raffle prize; while artists Cee Cadid and Romeo Ballada each donated landscape paintings, in pastel and in oil.

As the guests sang the Happy Birthday song, Galicano blew one candle on a 3 tiered cake baked by his daughter Josephine. The cake was topped by a recent self portrait of Galicano himself.

Capping the evening to everyone’s delight, was a raffle and the prize was a priceless landscape by Galicano in oil won by Dr. Mark Fernandez. What a wonderful way to end the evening.

With smiles on everyone’s face, it was an extremely jubilant atmosphere that filled the whole place.

It was after all Romulo Galicano’s big day, and what a celebration it was for PASPI and the gang!!!

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The Erehwon Center for the Arts will be one of the major exhibitors joining this year’s Ortigas Art Festival from February 28-March 8, 2020 at Estancia Mall, Capitol Commons in Pasig City.

Heber Bartolome’s painting entitled: Ang Bayan, 12 feet by 3 feet mixed media painting, will be Erehwon’s centerpiece at the art festival. The painting is a vivid portrayal of the Filipino people’s collective struggle against injustice and oppression over the years. The painting was completed in 1983 and it seems to have presaged events that happened three years later.

Apart from its political significance, the painting is also of big sentimental value to the artist. Speaking of the painting, which is priced at P20M, Ka Heber Bartolome says: “If somebody wants to buy it, it is for sale. But I cannot sell it for less, or even exchange it for several Mercedes Benzes. Because of the toxic fumes from the oil paint, the painting cost him blood and tears, literally and figuratively, to finish”.

Heber Bartolome, well-known for his progressive songs (Buhay Pinoy, Karaniwang Tao, Nena, Tayo’y mga Pinoy, and others), is a graduate of Fine Arts from the University of the Philippines, and has a master’s degree in Philippine Literature.. He has held several art exhibitions, locally and internationally. His paintings, like his songs, depict the realities of Philippine life and the sentiments of ordinary Filipinos.

Along with Heber’s painting, Erehwon’s exhibit at the Ortigas Art Festival will also include sculptures made from upcycled materials by Marlon Lucenara; Dei Jardiniano; and Robot Cawaling.

The 2020 Ortigas Art Festival will showcase artworks from various galleries and by individual artists, local and international, with overall exhibition design by Renato Habulan.

The festival will also feature workshops and demonstrations on painting, stenciling, sketching, watercolor, and other visual art skills.

See you at the Estancia Mall at Capitol Commons starting on February 28, the Heber Bartolome works promise to be “historical” ….at the same time interesting to view.

Urban walker

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Have you ever heard of the term “urban walker”? I tried to research about the term in Google and really could not find a definition or a description of what it actually means.

Attempting to know more about the topic, I turned to my longtime friend, Richard Somes who told me that he is an urban walker.

According to Richard “an urban walker is simply what the name suggests – one who takes the simple discipline of walking and combines this with the urban landscape in the world we live in.”

“I and my wife have been physically active with interdisciplinary forms of activities such as running, working out in a gym; swimming; mountain trekking; and cycling. We indulged in these activities during different periods of our lives.

“Everything seemed to be doing well for both of us up until 2016 when my wife started feeling knee pains. At first, she tried to shrug it off, blaming fatigue as its possible cause.

Cold ice compress and rest worked to ease out the pain in the beginning, but when the pain became unbearable she decided to get it checked by an orthopedic doctor.

“The result of the tests was that she was suffering from osteoarthritis of the knee. This was devastating news. She had to give up running and aerobics.

“To provide moral support to her, I suggested we find a tamer activity. This was the beginning of our new discipline, walking.

“Admittedly I found it a bit boring at first. Brisk walking around our hilly subdivision in Quezon City eventually became interesting specially with my photography; and to spice up our activity, we decided to walk outside our subdivision.

“Neither of us knew back then that this would lead to grander walks of what I term now as, urban walking. Our first destination was to Aranzazu in San Mateo, Rizal. This 8 kilometer walk took us an hour and a half from our house and back. The terrain was fairly flat but the landscape outside the safe boundaries of a subdivision was totally different. There were so many people on the streets which were narrow or no sidewalks; there were open man holes, pollution, and traffic which are not pedestrian friendly. Walking in the real world needed a sixth sense but we found it fun and challenging.

“As we progressed, we found it necessary to adapt our apparel to our activity. We wore dry-fit pants and shirt, and brought a backpack to carry spare clothes , water, an umbrella and other practical necessities.

“I started documenting our walking time to different locations such as malls which took us about two hours to walk from our home. We covered 5 kilometers in an hour.

“About a year ago, my son introduced me to google maps which features a walk time. To my surprise, the time we covered going to different destinations coincided exactly with my assessment of our time of arrival to any of our destinations.

“So far the farthest distance we have had walked to is to the Mall of Asia which took us 5 hours to achieve.

“Walking through the roads of Metro Manila has brought us different perspectives about the conditions of our road infrastructure and our environment,

“I wish these roads were more friendly. Urban walking is so enticing and more people should take up this activity……and who knows, this may actually ease out the horrendous traffic which we claim to make us suffer.”

Indeed, with walking, one reaches one’s destination being less anxious and stressed. This is of course if walking etiquette is followed.

Thanks to Richard Somes, I now know what “urban walking” is all about.

We should all give “urban walking” a try….who knows, by doing so we may also become urban walkers and that may just make this world a better place to live in !!!

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The Embassy of Italy Manila, Security Bank Corporation and the Metropolitan Museum of Manila proudly present, for the first time in Southeast Asia, a major contemporary Italian art exhibition ARTE POVERA: An Italian Landscape from February 10 to April 30 at the Tall Galleries of the Metropolitan Museum of Manila.

Arte Povera: Italian Landscape captures one of the most pivotal points in the history of Italian contemporary art in the 60s through the 70s. The Arte Povera movement broke boundaries in traditional art making through new engagement with audiences and an experimental approach in making life and everyday objects integral to art. The exhibit will feature the masterpieces of twelve Italian artists who gave birth to the Arte Povera movement. Participating in this exhibition are contemporary Italian master artists Jannis Kounellis, Marisa Merz, Mario Merz, Giuseppe Penone, Michelangelo Pistoletto, Gilberto Zorio Pier, Paolo Calzolari, Francesco Arena, and Gianni Caravaggio.

With an enduring influence from their times to present day art practice, Arte Povera responded to the sociopolitical milieu in Italy during that time — industrialization, mechanization, and instability of the economy. As a reaction to the perceived dominating abstract modernism in painting, Arte Povera artists focused on sculptural works and installation by using assemblages of cheap throwaway materials evoking a distinct Italian aesthetic. Arte Povera emphasizes the physicality in our daily lives.

Arte Povera: An Italian Landscape is curated by Danilo Eccher , a well-known Italian art critic and curator who served as director of several cultural institutions in Italy since 1989, including the Galleria Civica d’Arte Contemporanea di Trento, Galleria d’Arte Moderna, Bologna in Bologna, Museum of Contemporary Art of Rome, and the Galleria Civica d’Arte Moderna e Contemporanea in Turin. Eccher eventually turned to an independent curatorial practice in 2015, working on solo exhibitions of artists such as Jannis Kounellis, Albert Oehlen, Sean Scully, and Christian Boltansk.

Let’s not fail to visit this exhibit. It promises to be spectacular.

‘Acting on HIV’

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At the PETA Theater Center, on No. 5 Eymard Drive, Brgy. Kristong Hari, New Manila, Quezon City, the first quarter of 2020 features Rody Vera’s Under My Skin, a provocative, relevant, and heart-wrenching drama anthology top-billed by multi-awarded actress Cherry Pie Picache.

Inspired by real people and events, the play, which is part of PETA’s creative campaign “Acting on HIV”, aims to re-examine the issue of HIV and AIDS, as the numbers of recorded cases rapidly increase every day.

The play therefore accurately depicts the realities, triumphs, and struggles of people living with HIV, while navigating an important conversation about acceptance and tolerance.

According to Cherry Pie Picache: “I’ve always wanted to do a play with PETA….. so when our director and my good friend Melvin Lee told me that Under My Skin is going to be an advocacy play on HIV, I was enthusiastic to join.”

“I want to use my position, wherever I am now, to influence and advocate for certain issues. I am learning a lot and I really like the learning process. I was also interested kung nasaan na ba ang Pilipinas sa usaping HIV. It’s very timely because we should all give a part of ourselves to make people aware.”

The commitment that Cherry Pie has for her craft is something she has in common with her role in Under My Skin. “Dr. Gemma Almonte is very dedicated,” she describes her character, whom she shares with veteran theater actress Roselyn Perez. “She is very objective like most doctors are. But inside, she’s very involved. Andoon ‘yung empathy niya.”

Cherry Pie is hopeful that Under My Skin will not only be a learning experience for audiences, but will also contribute positive change and action to combat the HIV and AIDS crisis in the country. “HIV is not and should not be a death sentence anymore. We, as a community, as a society, have the responsibility to get involved,” she adds.

Under My Skin is directed by Gawad Buhay! Awards nominee Melvin Lee. He is joined by his artistic team: Eric Dela Cruz (dramaturg), Migs Cortes (music/sound designer and arranger), Benjamin Padero and Carlo Tabije (production designers), Ian Torqueza (lights designer), Steven Tansiongco (video designer), and Nicole Primero and Bubbles Deriada (choreographers) from Airdance.

The cast also features TV, film, and theater artists Miguel Almendras, Mike Liwag, Anthony Falcon, and Dylan Talon, together with a roster of PETA artists: Eko Baquial, Gio Gahol, Lotlot Bustamante, Kitsi Pagaspas, Ekis Gimenez, Dudz Teraña, Jarred Jaicten, She Maala, Gold Villar-Lim, Bene Manaois, Mico Esquivel, Erold Enriquez, Jason Barcial, Joseph Madriaga, Rach Gimpes, Reggie Ondevilla, Roy Dahildahil, and Csai Habla.

Under My Skin is presented by PETA, The Red Whistle, and LoveYourself PH, in partnership with UNAIDS and Unilab.

The play runs from February 7 to March 22.

Let’s go watch this presentation. It will be entertaining and educational!!!

Great people, great events

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Addie Cukingnam and Maurie Lim at the Exhibit by Eight
Addie Cukingnam and Maurie Lim at the Exhibit by Eight

It was my most respected friend Ateneo professor Maurice Lim that introduced me to the thought of visiting the works of a group of Filipino-Chinese visual artists presently on exhibit at the Artes Orientes Gallery in Serendra in Bonifacio Global City.

Opened as their 4th annual group exhibit, the exhibit features this group of eight (8) visual artists: Charlie Co, Seb Chua, Elena Coyuito, Addie Cukingnan, Margarita Lim, Ronnie Lim, Meneline Wong, and Rudy Yu.

The lucky number eight is an auspicious number in Chinese culture, thus one can only guess why the group is composed of eight artists who exhibit their artworks in various galleries to celebrate the Chinese New Year annually.

At the opening of the exhibit, some notables among the guests and collectors were: Edwin Valencia, Armando Tentangco, Maurice Lim, Marie Pe, Angelino Boyet Fajardo, Atty. Rogelio Quevedo, and Loli Sy.

The exhibit runs till Jan. 28 so you have the time to visit and support this group of eight talents.

Make the effort….it certainly is worth the time you may spend on traffic to get there!!

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Birthday greetings to Justice Manuel “Lolong” Lazaro who is celebrating his birthday today at the grand ballroom of the Okada Hotel and casino in the new entertainment City by the Manila Bay.

Josep Pascual, Ronnie Lim, Meneline Wong, Romeo Gutierrez, Seb Chua, Elena Coyuito, Armando Tentangco, Addie Cukingnan, Rio Ambrosio, Al Perez & Margarita Lim
Josep Pascual, Ronnie Lim, Meneline Wong, Romeo Gutierrez, Seb Chua, Elena Coyuito, Armando Tentangco, Addie Cukingnan, Rio Ambrosio, Al Perez & Margarita Lim

After having attended Justice Lazaro’s annual birthday celebrations in the past, we have forgotten to take note as to how old this gentleman is. All we know is what we see. Justice Lolong is “alive and kicking”….and we wish him more meaningful years to come !

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ArtPostAsia, the source of beautiful reading materials, in cooperation with the Philippines Sports Commision, is launching “Deco Filipino — Art Deco Heritage in the Philippines” by Ivan Ma Dy and Gerard Lico on Saturday, February 1 at the Rizal Memorial Coliseum Lobby.

A program has been prepared during the event which begins at 3pm. This will be followed by a tour of the Rizal Memorial Coliseum. Ummmmmm!

After all these years, visiting the Rizal Memorial Coliseum really sounds like a good idea, indeed!

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The lyric opera, “LUCIA DI LAMERMOOR”, by Gaetano Donizetti, will be presented at the Cultural Center of the Philippines for the first time in more than 40 years. There will be two performances at the CCP Main Theater, the Gala Night on Friday, January 31 at 8 pm, and a Matinee on Sunday, February 2 at 3 pm.

Filipino Tenor Arthur Espiritu and Manila-based Korean baritone, Byeong-In Park head the fantastically talented Philippine cast. French Soprano, Melody Loudedjian, heads the international cast.

Supporting the opera is Italian contingent headed by the Conductor Maestro Alessandro Palumbo, Italian Director Vincenzo Grisostomi Travaglini, Assistant Director Prince Sisowath Ravivaddhana Monipong, and finally, Lighting Director Giovanni Pirandello.

“LUCIA DI LAMERMOOR”, by Gaetano Donizetti be a fantastic evening.

Don’t miss it!

Creating optimum space for the performing arts

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Here is freshly baked news for Filipino culture enthusiasts. The Association of the Philippine Performing Arts Spaces (APPAS), an association of performing arts spaces in the Philippines, formerly the Philippine Performing Arts Centers Consortium (PhilPACC) informally established in February 2018.

“APPAS envisions a diverse arts infrastructure ecosystem that engenders the best environment to create and experience the performing arts.

“Fuelled by its mission to contribute to the enhancement of the Filipino artists-audience encounter through the revitalization and synergy of performing arts spaces, the following activities are prioritized by the association:
* continuous recruitment efforts (especially in the regions)
* regular activities/programs for members (i.e. bi-annual general assemblies)
* trainings/workshops on technical theatre, curatorship, venue and production management, among others

“Through the said efforts and undertakings, it aims to pursue efficient, effective and responsive management of performing arts spaces and curatorship of content/programming”.

To date, the association has twenty five (25) members; 20 from NCR, 2 from Visayas, 1 from Mindanao and 2 from Luzon. Upcoming venue/site visits in Luzon and Visayas, to further increase membership, are scheduled for the year.

To pursue efficient, effective and responsive management of performing arts spaces and curatorship of content/programming, APPAS intends to establish and provide an information network; Develop and share technical, administrative/management, marketing and curatorship skills and expertise for the enrichment of all member-spaces; Cultivate and promote the exchange of artistic programs and content among member-spaces; and Nurture relationships through mutually beneficial activities and collaborations
Those present at the Club Filipino last Tuesday to fine tune APPAS’s function and objectives were:Mr. Chris Millado, vice-president of the CCP; Ariel Yonzon; Ms. Rosario C. Tala, Ms. Victoria Lago; Boysie Villavicencio, of Erehwon Center for the Arts; Raffy Benitez; Diana Onate; Mr. Martin Lopez, of Far Eastern University; Daniel Cortezano, Arete, ADMU (for Mr. Ricky Abad); and Ms. Myra Beltran, Dance Forum.

Board Members of APPAS include: Chris Millado, Cultural Center of the Philippines; Ariel Yonzon, Cultural Center of the Philippines; Martin Lopez, Far Eastern University; Ricky Abad, Arete, Ateneo de Manila University; Shax Siasoco, The Theatre @ Solaire; and Myra Beltran of Dance Forum

Because of the change of name of the Organization from the Philippine Performing Arts Centers Consortium (PhilPACC) to the Association of Philippine Performing Arts Spaces (APPAS), a logo-design competition will be undertaken with a cash prize of P25,000.00 which The Friends for Cultural Concerns of the Philippines (FCCP) had just been donated to support this new renamed organisation.

The energetic group of APPAS members and officers are now looking into activities like members training programs for 2020, other valuable and useful activities intented for the year are: Curatorship — curriculum to be developed by Ms. Myra Beltran – to be conducted in August (2-3 hour workshop); Venue Management – curriculum to be developed by Mr. Ariel Yonzon, CCP- to be conducted in June or July (2-3 hour workshop) ; Production Management; Festival Management; Lighting Design Workshop; Writing/Public Relations Training; Technical Theater and Acoustics; and Apprenticeship Program

In the drawing board is a 2020 Touring Program which the APPAS secretariat is preparing to calendar for the Touring Programs of APPAS members. It will be routed to all members for corresponding inputs.

The next APPAS General Assembly will be on February 20 at 3pm, hosted by Ms. Myra Beltran, Dance Forum, in Quezon City. Mr. Contezano from Arete volunteered to bring their newest VR device/console for all member-attendees to experience/engage with. He also committed to prepare the venue lay-out of Dance Forum in preparation for the VR experience.

The enthusiasm of the APPAS members is so commendable. As a team, we pray that APPAS will achieve their many plans not only for their organization and its members but for the Filipino who should be accorded A-1 performances right at their doorsteps.

For those who believe that the existence of APPAS is vital and necessary in our local cultural scene, we say a prayer and wish you the best in all your endeavors.